The Good Wife (And What Your TV Says About You Behind Your Back)

Warning: If anyone out there is a diehard follower of The Good Wife, and you haven't watched the 7th episode of season 2 yet, the following blog entry contains very minor spoilers.

The Good Wife

A couple months ago or thereabout, Miranda Cosgrove appeared in an episode of the CBS drama series The Good Wife. I never bothered to watch it because, I guess, I feared it would be more of a cameo appearance or a token role. As it turns out, she plays a significant role.

I ended up checking out the episode after discovering that I had abysmally failed to watch Christmas In Washington, an annual concert event which this year featured Miranda Cosgrove performing "Last Christmas," a beautiful song having previously been covered immaculately by Taylor Swift.

Hating myself, I scoured Youtube for video, but there was none available. Still jonesing for a MiranCoz fix that my personality (what you sometimes call a "soul") was now expecting to receive, I decided to check out the aforementioned Good Wife episode. I had never watched The Good Wife before, but I'm familiar with its ilk. It's a by the numbers court room/political drama, and while as of late my taste has been for its polar opposite, I've been fond of this genre at times. So I was really excited to watch this episode.

I don't believe there exists any genre of television more archetypally adult than the courtroom drama... except for the courtroom drama which (inexplicably?) carries a parallel story about a politician's troubled bid for election amidst a corrupt system AND a parallel story about high-ranking suits embroiled in high-stakes office politics, none of which seem to intersect with each other or influence each other (I'm sure it would make perfect sense if I was familiar with this show).

Perpetually straight-faced, as melancholic as film noir, driven not by action but by words, and rife with grim moral dilemmas that are meant to define the psychological squalor of the modern age, The Good Wife (and the rest of its ilk) are everything that consequential adults are supposed to appreciate. At least in my perspective. Some might opt for the more critically acclaimed fare of The Sopranos and Breaking Bad, two of my favorite shows, but they include copious amounts of crime kitsch, which appeals to rebellious youths. Court room dramas are about truth, justice, the American way, and various moral dilemmas therein. In any case, it's a marked contrast from what Miranda Cosgrove had been involved in thusfar.

Miranda Cosgrove plays what is essentially a fictionalized amalgam of Miley Cyrus and Lindsay Lohan. She's a Disney recording star named Sloan who gets an underaged DUI which ends up turning into an attempted murder case. Sloan is notorious for a past lap dance scandal straight out of Miley's reality, and she is depicted undermining the honor of the court, reminiscent of Lohan's recent indiscretions. I found this re-appropriation of realities hard to swallow at first... I mean... talk about weird. Let's hire Miranda Cosgrove to portray... of all people... Disney's ill-mannered ragamuffins? I like Cyrus AND Lohan, but talk about a heady concept. Takes it a smidgen further than Freaky Friday!

In any case, once MiranCoz took control of the role, my identity crisis on her behalf subsided. I was impressed with her performance, though seeing as how I was expecting it to be good, I can't say I was blown away or anything. She definitely did a spot-on job filling the role of 'grim stoic entity' that everyone in a courtroom drama necessarily has to acquire, quite a far cry from the flighty flirty flamboyance of Carly Shay or the snarky cynical self-assurance of Megan Parker and Summer Hathaway.

I wouldn't necessarily say she removed herself from herself as much as Victoria Justice sometimes seems to, but she certainly far surpasses Katie Holmes' lone ability to act exactly like Joey Potter in every role she has ever performed (which, granted, isn't a bad character to play). What I can say is that I would definitely watch this show regularly if Miranda Cosgrove was a regular, and more improtantly I would be very, very interested in viewing other programs where Miranda performed similar roles.

She's proven her acting chops and I absolute can. not. wait. to see her appear on all kinds of other programs. And frankly, I enjoyed the juxtaposition provided by this most adult of genres. I'd like to see her do more of the same style, perhaps appear on The West Wing or something. Does The West Wing still make new episodes?

Miranda definitely seemed a lot older here, as well. Almost reminds me of the end of her run on Drake & Josh, when she had obviously out-grown her role as cute little (albeit evil) Megan Parker, and was ready to do iCarly. Of course, this could just mean that it's time for iCarly to enter a new phase. I wouldn't mind seeing iCarly: The College Years. ;)

And What Your TV Says About You Behind Your Back

ANYWAY... If I were trying to be all philysophical and chiz, I would say something like.... My feelings are summed up by this one scene early in the episode. The big bad lawyer people are discussing the case in the kitchen and the one lawyer's two young daughters come walking into the room laughing, and then they see the intense adult scene going on in the room, and they say "Oh, sorry," and walk away.

Court room dramas are fascinating stuff. The twists and turns are sure to always keep you guessing and it can be really satisfying to finally get to the bottom of the story at the end of the episode, when all the pieces fall into place. But in all in all, I think I'd rather watch Gibby burst out of a giant cherry pie like an alien chestburster while Jennette McCurdy poses like a grimlord. Man, I've spent years in the bleak fog of "adulthood" (whether genuine or wholly imagined), and there's something to be said for... wait for it... the zenlike immaturity of a youth. If given the option, I'd rather laugh than stare.

Of course, anyone who isn't an idiot will realize that these two states of being (colloquially "adulthood" and "youth,") are anything but mutually exclusive. And anyone who isn't an idiot and a half will realize that it's perfectly possible for a man to enjoy both children's sitcoms and courtroom dramas. I wonder which one Miranda Cosgrove prefers...